After Image and the Hot Lady

I’ve heard a bunch of people misrepresent this image. If you haven’t seen this, you haven’t been flowing in the dorky viral online color snobs stream the last month.  I hesitated to post it on facebook afraid it might be redundant. But there are enough questions about after image, chroma,  hue and value, and surprisingly wrong interpretations of what is happening.

So first here are the instructions going around the internet: (1). Stare at the blue dot on her nose for 30 seconds (2). Then stare at a white wall blinking often. What do you see?

You saw the beautiful woman in full color right? So the first question I got was how does a black and white image get color? Let me slide down the rabbit whole a bit before we actually answer that. Because, the first thing I was interested in was why the three dots? What is the point of Red Green and Blue? Is this to trigger some kind of full color response in our visual perception?

So if you are curious, try this again. Now without RGB as dots, stare at the yellow + sign on her nose and then look at the white wall.

You get the same exact thing- a full color photo of the woman.

So the first thing to note is that the image you are staring at is full color. Note the green in her lips and the red in her dress. Many people look at the image and because it’s so heavily blue it almost looks monochrome- and we sometimes deceive ourselves into thinking monochrome is black and white. I’m curious how many people already got that and how many thought at first glimpse it was black and white.
The RGB dots have nothing to do with it except to give us a point to stare at. Why the creator of this image did that I don’t know. Anyone have a hypothesis?

If you are curious about how afterimage works, our eyes essentially get fatigued of the color we are staring at and, seeking neutral, start to emphasize the complementary color. Essentially, the dark blue in the woman’s skin is the complement of her light yellow white skin color. For more on the amazing effect of complementary colors check this out.

Now what was really fascinating to me was not just that this was going viral and that three people sent it to me, but that I had just gotten back from TEDxMaui showing the Colorbox and the most impactful piece I showed in the box was “Portal” which deeply worked with the idea of complementary colors and after image.

Complementary lady in actual black and white
More on that in the upcoming TEDxMaui post. For a preview, check out the photos on Facebook from the Colorbox FB page.

Bauhaus Archive in Berlin

The Bauhaus existed as in institution from 1919 to 1933. Josef Albers, the teacher with the longest tenure taught both the preliminary course which all students attending were required to take as well as his legendary color course. He inherited the preliminary course from Johannes Itten. Itten left in 1923 due apparently to differences in philosophy. His course included breathing techniques -“one lives and thinks the way he breathes.” Continue reading “Bauhaus Archive in Berlin”

Amsterdam: Visions of Van Gogh

Six years ago, I had the opportunity to travel in Europe for 3 months. I had lofty visions at the time as I traveled to get clear on who I was and what I wanted to do.

I arrived in Amsterdam with one question circulating in my mind intended to provide me with a focus– “What do I Cherish?”. After visiting the Van Gogh Museum in Amsterdam, I was inspired to create a 6 foot canvas based on his painting “Almond Blossom” filled with responses from friends to the question, “What do you Cherish?”

That became the The Cherish Tree.

I returned to Amsterdam last Wednesday and was filled with adrenaline. At the Van Gogh Museum I found “Almond Blossom” as alive and vibrant as ever. Only this time, I understood better how Van Gogh made it glow. He had studied Delacroix and Vermeer and all the masters of color and light that preceded him. He truly delved into a conceptual understanding of how our eyes mix color to create vibrancy.

Note how the tree branch is made up of bold strokes of color from the same family to create halations. As well, some of the blue, beige and green strokes are the same value thus creating invisible boundaries. These are all techniques Van Gogh had studied and that he advances in his bold and crafty style. One thing I love about his strokes as he pushes the paint around is how much fun it looks like he had.

This was the painting from which I modeled the Cherish Tree. I asked everyone I knew to tell me what they cherish and I included their text in my painting. The Cherish Tree went on to become a sculpture that was the altar for the Health and Harmony Festival and was an installation at Burning Man.